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“Well, Tom jumps up from the outside, hangs on the sill with one forefoot, and pulls out the edge of the screen with the other till he gets his nose in, when he can pry out the screen and slip through easily.” As he climbed down, reaching from branch to branch, very cautiously, he knew not why, he was suddenly halted by the sound of low voices. Carefully he crept nearer. A tiny hut came in view, with an open door, and the glint of fire within. A man was standing outside, smoking a pipe, yet wearing hat, coat, and gloves, as if about to set off. He was very large. His clothes were new and showy, too bright in color, too large of check. His watch chain was massive; the big diamond out of place with his colored shirt; and the soft silk handkerchief he drew from his pocket was a brilliant red, and the largest Billy had ever seen. Another man, in the doorway, was smaller and bareheaded. His sleeves were rolled up, and his hands were stained. Jenny, my own true loved one.

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Howard rode his chestnut saddle-horse “The Kid,” while Nell had “Ladybird.” Moses was not so pious by nature as his mother, and he had flatly refused to have his pinto’s disposition spoiled by giving her such a name as “Hephzibah” his mother’s choice. At this moment a wild whoop was heard, and through the open door Moses could be seen dashing out of the corral gate on his cow-pony. The child was gifted in this most elemental of the arts, and her histrionic ability carried along the interest of her listeners even when the printed matter on the back of the paper interfered with the clearness of the picture. Her imagination bolstered up the defects of dry facts. “He ran up and touched noses with Tom like a Feegee Islander,—are they the people that touch noses for ‘How do you do?’”.